1
00:00:26,026 --> 00:00:28,854
Perused
a few folklore anthologies,

2
00:00:29,029 --> 00:00:31,770
and now you're going
to cross the ocean

3
00:00:31,944 --> 00:00:34,208
and take on a society
of monsters.

4
00:00:36,253 --> 00:00:37,994
I've known exactly
four vampires in my life,

5
00:00:38,168 --> 00:00:39,865
and you've all been the worst.

6
00:00:40,040 --> 00:00:42,607
I'm looking for one
that ain't a goddamn bastard!

7
00:00:42,781 --> 00:00:44,827
Parents named me Bruce.

8
00:00:45,001 --> 00:00:46,655
Sent about 20 of us over
to a place called Copenhagen.

9
00:00:46,829 --> 00:00:48,352
Louis: Don't start back
with your books.

10
00:00:48,526 --> 00:00:50,180
Your books are bullshit.There's a vampire been here.

11
00:00:50,354 --> 00:00:51,225
Another crucifix.

12
00:00:53,618 --> 00:00:54,402
Claudia: Louis!

13
00:00:54,576 --> 00:00:55,925
A woman vampire.

14
00:00:57,927 --> 00:00:59,320
Armand: The boy we met

15
00:00:59,494 --> 00:01:01,322
in San Francisco --
he's still in there.

16
00:01:01,496 --> 00:01:02,453
We can have him saying

17
00:01:02,627 --> 00:01:03,933
what happened next
in no time.

18
00:01:04,107 --> 00:01:06,066
We're gonna find
others like us.

19
00:01:08,111 --> 00:01:10,070
We can't be
the only good ones out there.

20
00:01:59,119 --> 00:02:02,644
<i>Paris...</i>
<i>Hard to put it into words now.</i>

21
00:02:03,340 --> 00:02:05,386
<i>For what Paris means</i>
<i>to me now is</i>

22
00:02:05,560 --> 00:02:07,344
<i>very different from what</i>
<i>it meant to me then.</i>

23
00:02:07,518 --> 00:02:09,607
<i>- May I try?</i>
<i>- Please.</i>

24
00:02:09,781 --> 00:02:12,567
<i>Paris was</i>
<i>an awakening for Louis.</i>

25
00:02:12,741 --> 00:02:14,438
<i>Paris was a hunger.</i>

26
00:02:14,612 --> 00:02:17,137
<i>Paris was many things</i>
<i>in those days.</i>

27
00:02:17,311 --> 00:02:20,836
<i>Even now, to think of it,</i>
<i>setting aside certain events,</i>

28
00:02:21,010 --> 00:02:24,318
<i>I feel something close to</i>
<i>happiness when I think of it.</i>

29
00:02:25,232 --> 00:02:28,626
<i>- The name alone - Paris.</i>
<i>- Paris sucks.</i>

30
00:02:28,800 --> 00:02:30,846
<i>But you proposed</i>
<i>to your Alice in Paris.</i>

31
00:02:31,020 --> 00:02:33,675
<i>And she divorced me</i>
<i>in Staten Island. Paris sucks.</i>

32
00:02:33,849 --> 00:02:35,590
<i>Paris is a universe</i>
<i>all to herself...</i>

33
00:02:35,764 --> 00:02:38,158
<i>Macarons are bullshit,</i>
<i>café culture is boring.</i>

34
00:02:38,332 --> 00:02:41,161
<i>Paris was Nazi</i>
<i>scar tissue at the time.</i>

35
00:02:42,118 --> 00:02:45,295
<i>It was healing, just as</i>
<i>Claudia and I were healing.</i>

36
00:02:45,469 --> 00:02:48,951
Gotta pick twice the pockets
in this town to get anywhere.

37
00:02:49,125 --> 00:02:50,822
"Confiance en vaut plusieurs

38
00:02:50,996 --> 00:02:53,434
si on prend du temps
pour la trouver."

39
00:02:54,217 --> 00:02:57,525
- What?
- "Truth is more valuable

40
00:02:57,699 --> 00:03:00,180
if it takes you
a few years to find it."

41
00:03:00,354 --> 00:03:02,138
What you said is,
"Trust is worth several

42
00:03:02,312 --> 00:03:03,835
if we take a few years
to find it."

43
00:03:04,009 --> 00:03:05,533
A little rust
on the mother tongue.

44
00:03:05,707 --> 00:03:08,797
Lotta rust. And I'm looking
for francs and diamonds.

45
00:03:08,971 --> 00:03:12,017
- Truth don't pay the rent.
- No salt, no butter.

46
00:03:12,192 --> 00:03:14,542
Can't have milk
unless you got a newborn.

47
00:03:14,716 --> 00:03:18,807
And read here, "Hospitals
running low on plaster of Paris

48
00:03:18,981 --> 00:03:22,332
for a record number of broken
bones due to decalcification

49
00:03:22,506 --> 00:03:24,726
and undernourishment."
You want francs in pockets?

50
00:03:24,900 --> 00:03:26,554
These people are broke.

51
00:03:26,728 --> 00:03:28,991
Maybe we chose the wrong town.

52
00:03:29,165 --> 00:03:33,865
I saw a woman tonight in
a patchy five-year-old dress

53
00:03:34,039 --> 00:03:35,998
putting on
a brand new lipstick.

54
00:03:36,172 --> 00:03:38,130
And what's that supposed to say?

55
00:03:38,305 --> 00:03:42,483
Says Paris is on her way back.
Give her a little time is all.

56
00:03:43,440 --> 00:03:45,616
What makes you think
Paris is a woman?

57
00:03:46,356 --> 00:03:49,359
- Oh, now I know you're hungry.
- Tell me what a woman is?

58
00:03:49,533 --> 00:03:51,405
I'll tell you what a woman is.

59
00:03:55,278 --> 00:03:58,586
Where you want to hunt?
Bourse looks dark.

60
00:03:59,804 --> 00:04:03,068
Always following the blackouts.
Blackouts are easy.

61
00:04:03,243 --> 00:04:08,248
Mmm. So you want a hard meal,
francs and diamonds,

62
00:04:08,422 --> 00:04:11,599
and heaven to open up and rain
down mink stoles, is that it?

63
00:04:11,773 --> 00:04:12,991
That's a start.

64
00:04:13,165 --> 00:04:14,689
<i></i>
<i>It's custom and practice</i>

65
00:04:14,863 --> 00:04:16,995
<i>for traveling vampires</i>
<i>to make themselves known</i>

66
00:04:17,169 --> 00:04:19,171
<i>- to a local coven.</i>
- Gauche.

67
00:04:19,346 --> 00:04:20,651
<i>We didn't</i>
<i>get that memo.</i>

68
00:04:22,436 --> 00:04:24,525
De Gaulle's Paris
had me etherized.

69
00:04:24,699 --> 00:04:28,311
Ah! The whitest of lies
turning 77 this year.

70
00:04:28,485 --> 00:04:30,487
Do not leave Dubai until
you've made him retract it.

71
00:04:30,661 --> 00:04:32,359
Uh-huh.

72
00:04:32,533 --> 00:04:35,013
If Claudia and I were looking
over our shoulder at all

73
00:04:35,187 --> 00:04:37,799
it was in astonishment
our skin did not attract

74
00:04:37,973 --> 00:04:39,670
the same attention
it did in America.

75
00:04:39,844 --> 00:04:41,585
Right, because
there wasn't any racism

76
00:04:41,759 --> 00:04:43,370
in mid-20th century France.

77
00:04:43,544 --> 00:04:44,806
- Oh, I didn't say that.
- He didn't say that.

78
00:04:44,980 --> 00:04:46,590
I think your Algerian inferiors

79
00:04:46,764 --> 00:04:49,898
- of the time might disagree.
- But I wasn't an Algerian.

80
00:04:50,072 --> 00:04:52,379
I was an American and if
there was an assumption

81
00:04:52,553 --> 00:04:56,252
that I'd arrived to blow
a trumpet or sing for my supper,

82
00:04:56,426 --> 00:04:59,647
it did not register
as a slight in those days.

83
00:04:59,821 --> 00:05:03,128
I was just grateful knowing
no one wanted to lynch me

84
00:05:03,303 --> 00:05:05,522
or direct me to the far end
of the café counter.

85
00:05:05,696 --> 00:05:07,611
That's all he was saying,
Mr. Molloy.

86
00:05:08,395 --> 00:05:10,440
Are you two gonna finish
each other's sentences

87
00:05:10,614 --> 00:05:11,789
for the whole session?

88
00:05:11,963 --> 00:05:14,749
We've been together
77 years, Daniel.

89
00:05:15,445 --> 00:05:17,578
Forty-seven more than
he did with Lestat.

90
00:05:18,448 --> 00:05:21,495
Shall we let the math of that
settle before continuing?

91
00:05:22,278 --> 00:05:23,975
Keep selling it.

92
00:05:26,064 --> 00:05:27,762
<i>We hid ourselves away</i>

93
00:05:27,936 --> 00:05:29,938
<i>in an inconspicuous apartment</i>
<i>in Le Neuvieme,</i>

94
00:05:30,112 --> 00:05:32,244
<i>passing ourselves off</i>
<i>as moneyed Americans,</i>

95
00:05:32,419 --> 00:05:34,638
<i>over-spending for</i>
<i>black market baguettes.</i>

96
00:05:34,812 --> 00:05:36,161
<i>It was the perfect cover.</i>

97
00:05:36,336 --> 00:05:37,685
<i></i>
<i>Yes, perfectly situated,</i>

98
00:05:37,859 --> 00:05:39,643
<i>one floor above the owners,</i>

99
00:05:39,817 --> 00:05:41,993
<i>and one floor below</i>
<i>the students and sex workers.</i>

100
00:05:42,167 --> 00:05:45,823
<i>Literally encircled by curious</i>
<i>and money-hungry motivations.</i>

101
00:05:45,997 --> 00:05:47,564
<i>We never brought</i>
<i>our kills home.</i>

102
00:05:47,738 --> 00:05:49,479
<i>- We used the sewers for that.</i>
<i>- Mm-hm.</i>

103
00:05:49,653 --> 00:05:51,742
<i>Waterways of which</i>
<i>they had no expertise.</i>

104
00:05:51,916 --> 00:05:53,701
<i>The flow controls,</i>
<i>the pumping stations.</i>

105
00:05:53,875 --> 00:05:55,616
<i>We were constantly</i>
<i>cleaning up for them.</i>

106
00:05:55,790 --> 00:05:59,576
<i>And yet you never</i>
<i>made contact with him?</i>

107
00:05:59,750 --> 00:06:02,449
Thank you!
Five months of anxiety

108
00:06:02,623 --> 00:06:05,365
producing choices
and not one "bonjour"

109
00:06:05,539 --> 00:06:08,933
- or "preparez-toi a mourir".
- Custom and practice.

110
00:06:09,107 --> 00:06:11,762
<i>A true Parisian</i>
<i>vampire is a prideful monster.</i>

111
00:06:11,936 --> 00:06:13,373
<i></i>
<i>They lived two kilometers</i>

112
00:06:13,547 --> 00:06:15,070
<i>from our theater in Pigalle.</i>

113
00:06:15,244 --> 00:06:16,811
<i>I had endured</i>
<i>hundreds of nights</i>

114
00:06:16,985 --> 00:06:19,030
<i>in the theater with Lestat.</i>
<i>I was not seeking more.</i>

115
00:06:19,204 --> 00:06:21,337
A theater called
Theatre Des Vampires.

116
00:06:21,511 --> 00:06:25,820
A company that had been
in existence for 150 years!

117
00:06:25,994 --> 00:06:29,171
77 years and
it still feels like a slight.

118
00:06:29,345 --> 00:06:31,086
Pride.

119
00:06:31,782 --> 00:06:33,915
<i></i>
<i>The reports were confounding.</i>

120
00:06:34,089 --> 00:06:35,612
<i>Were they romantic? No.</i>

121
00:06:35,786 --> 00:06:37,745
<i>Who was the master?</i>
<i>Neither, it seemed.</i>

122
00:06:37,919 --> 00:06:39,964
<i>The male hunted to please her,</i>
<i>the girl suffered</i>

123
00:06:40,138 --> 00:06:42,402
<i>philosophical conversation</i>
<i>to please him.</i>

124
00:06:42,576 --> 00:06:45,492
<i>The American vampires appeared</i>
<i>to be as dull and plain</i>

125
00:06:45,666 --> 00:06:47,450
<i>as their tourists</i>
<i>and soldiers were.</i>

126
00:06:47,624 --> 00:06:49,017
<i>Rude.</i>

127
00:06:49,191 --> 00:06:52,107
<i>I took up photography</i>
<i>as a hobby.</i>

128
00:06:52,281 --> 00:06:55,937
<i>Vampires</i>
<i>with hobbies! Insanity!</i>

129
00:06:56,111 --> 00:06:58,461
<i>Killing time when</i>
<i>you weren't killing Parisians.</i>

130
00:06:58,635 --> 00:07:00,942
<i>Oh, wrestling time</i>
<i>to the ground,</i>

131
00:07:01,116 --> 00:07:03,161
<i>staring it into submission.</i>

132
00:07:03,335 --> 00:07:07,514
<i>Holding it in your hand.</i>
<i>"I was there. This occurred."</i>

133
00:07:07,688 --> 00:07:09,516
<i>How's that any</i>
<i>different from the photos</i>

134
00:07:09,690 --> 00:07:11,996
<i>- I keep on my phone?</i>
<i>- It isn't.</i>

135
00:07:12,170 --> 00:07:14,782
<i>It's a human</i>
<i>perspective of time.</i>

136
00:07:14,956 --> 00:07:16,392
<i>When you have</i>
<i>the ability</i>

137
00:07:16,566 --> 00:07:18,742
<i>to stretch a millisecond</i>
<i>into an hour,</i>

138
00:07:18,916 --> 00:07:20,701
<i>it's a reduction.</i>

139
00:07:20,875 --> 00:07:23,443
<i>I hadn't come</i>
<i>to that conclusion yet.</i>

140
00:07:23,617 --> 00:07:25,967
<i>I liked taking photographs.</i>

141
00:07:26,446 --> 00:07:28,448
<i>It took my mind off things.</i>

142
00:07:42,810 --> 00:07:46,335
<i></i>
<i>What are you looking</i> <i>for when you take a picture?</i>

143
00:07:46,509 --> 00:07:48,685
<i>I don't know.</i>
<i>A surprise maybe.</i>

144
00:07:48,859 --> 00:07:52,472
<i>Something off. Like a hat</i>
<i>that's too small for a head.</i>

145
00:07:52,646 --> 00:07:55,126
<i>Or someone realizing</i>
<i>they forgot to do something</i>

146
00:07:55,300 --> 00:07:56,693
<i>- and they stop.</i>
<i>- Okay.</i>

147
00:07:56,867 --> 00:07:58,434
<i>Then you can get</i>
<i>mindful about it.</i>

148
00:07:58,608 --> 00:08:00,392
<i>Ask yourself</i>
<i>what brought them here?</i>

149
00:08:00,567 --> 00:08:02,743
<i>What brought you here?</i>
<i>Is it coming together random?</i>

150
00:08:02,917 --> 00:08:05,528
<i>Choreographed? The metro</i>
<i>late for him. The rain--</i>

151
00:08:05,702 --> 00:08:07,661
Sometimes I want
the short answer.

152
00:08:09,227 --> 00:08:12,187
You listen to their thoughts.
You know what's coming.

153
00:08:13,841 --> 00:08:15,582
You take the picture.

154
00:08:16,844 --> 00:08:20,674
Well, if you knew the answer,
why did you ask?

155
00:08:20,848 --> 00:08:23,198
Is the coming together
random, choreographed?

156
00:08:24,895 --> 00:08:28,029
Let a brother primp a bit. Let
me think I'm deeper than I am.

157
00:08:28,203 --> 00:08:30,335
Is that how you sell
yourself yourself?

158
00:08:30,510 --> 00:08:32,860
I'm just trying to
get through nights, sis.

159
00:08:33,034 --> 00:08:35,123
I shortcut it. You caught me.

160
00:08:35,297 --> 00:08:36,907
Take the win.

161
00:08:38,648 --> 00:08:40,520
Who are you, Louis?

162
00:08:41,912 --> 00:08:43,697
I'm your brother.

163
00:08:44,393 --> 00:08:46,526
Who are you outside of me?

164
00:08:49,703 --> 00:08:53,097
I'm the reticent vampire
of the Ninth Arrondissement.

165
00:08:53,271 --> 00:08:54,751
I walk the night

166
00:08:54,925 --> 00:08:56,840
capturing disappointment
and regret

167
00:08:57,014 --> 00:08:59,364
as only
the reticent vampire can.

168
00:08:59,539 --> 00:09:01,410
Hah!

169
00:09:07,547 --> 00:09:09,244
If there was no me...

170
00:09:10,419 --> 00:09:11,638
and there was no him...

171
00:09:13,204 --> 00:09:14,902
...who would you be?

172
00:09:15,859 --> 00:09:17,469
What do you want?

173
00:09:17,644 --> 00:09:20,734
How are you gonna get there?

174
00:09:26,391 --> 00:09:27,958
<i>She had a point.</i>

175
00:09:28,132 --> 00:09:29,960
- Yes.
- Paris sucks.

176
00:09:30,134 --> 00:09:31,875
That's not the point
she was making.

177
00:09:32,049 --> 00:09:34,443
Sure it is. She's miserable
but she doesn't want to fuck

178
00:09:34,617 --> 00:09:37,011
with your too delusional
"left bank dilettante" vibe.

179
00:09:37,185 --> 00:09:39,970
She wasn't telling me something
I didn't know about myself.

180
00:09:40,144 --> 00:09:43,278
She was giving me permission to
explore a life apart from her.

181
00:09:43,452 --> 00:09:46,890
- It's Alice, Louis, not Claudia.
- Excuse me?

182
00:09:47,064 --> 00:09:50,502
Oh, I see.
I've triggered a memory.

183
00:09:50,677 --> 00:09:53,723
No, it's Claudia.
It's her journal.

184
00:09:54,463 --> 00:09:57,553
- "Louis needs Paris. I don't..."
- It's 1985.

185
00:09:57,727 --> 00:09:59,294
You and Alice
are at a brasserie,

186
00:09:59,468 --> 00:10:01,078
talking past each other

187
00:10:01,252 --> 00:10:02,776
and she tells you
she's pregnant.

188
00:10:02,950 --> 00:10:04,516
The fishing rod
in the head again?

189
00:10:04,691 --> 00:10:07,171
And you say, "Yeah,

190
00:10:07,345 --> 00:10:09,260
let's talk about it
later tonight."

191
00:10:09,434 --> 00:10:12,568
I've gotta knock out
another chapter. One a week.

192
00:10:12,742 --> 00:10:15,963
I leave before the bill is paid,
I never finish the novel.

193
00:10:16,137 --> 00:10:20,968
I think it was the "yeah" that
pissed her off most. Yeah?

194
00:10:21,403 --> 00:10:22,709
Yeah.

195
00:10:22,883 --> 00:10:24,928
"Louis needs Paris.

196
00:10:25,102 --> 00:10:27,191
I don't know what I need.

197
00:10:27,365 --> 00:10:29,541
<i>Maybe a new brain in my head.</i>

198
00:10:29,716 --> 00:10:31,413
<i></i>
<i>Why can't I tell him this?</i>

199
00:10:31,587 --> 00:10:34,372
<i>I suppose I'm afraid</i>
<i>my joylessness will take away</i>

200
00:10:34,546 --> 00:10:36,418
<i>his happiness and maybe</i>
<i>I don't want his feelings</i>

201
00:10:36,592 --> 00:10:38,855
<i>to depend on mine anymore.</i>

202
00:10:39,029 --> 00:10:41,031
<i>Maybe I want to be</i>
<i>joyfully joyless.</i>

203
00:10:41,205 --> 00:10:43,773
<i>A forever switch of</i>
<i>wild opposites at play."</i>

204
00:11:01,008 --> 00:11:02,444
Oh!

205
00:11:14,021 --> 00:11:15,196
Mademoiselle?

206
00:11:46,706 --> 00:11:50,013
American? Your French is ugly.

207
00:11:50,884 --> 00:11:52,581
You can take it in for me. Yes?

208
00:11:52,755 --> 00:11:54,539
You do alterations?

209
00:11:54,714 --> 00:11:57,107
Please, don't pretend to be
something you're not, yeah?

210
00:11:57,281 --> 00:11:59,544
Believe me, womanhood
will happen soon enough.

211
00:12:00,981 --> 00:12:03,461
Never thought about
choosing to pretend.

212
00:12:03,635 --> 00:12:05,725
Life hasn't been kind enough
to allow me that.

213
00:12:09,729 --> 00:12:11,818
Maybe if it had been,
I'd be a lonely dressmaker

214
00:12:11,992 --> 00:12:14,472
in an empty shop, denying
my only potential customer.

215
00:12:14,646 --> 00:12:16,736
Respect my time.

216
00:12:18,520 --> 00:12:19,739
No!

217
00:12:22,742 --> 00:12:26,702
The dress, for my body.
And I'll need some gloves.

218
00:12:26,876 --> 00:12:28,617
I'm thinking white.

219
00:12:31,707 --> 00:12:34,666
Real Rashid. Just in time
for the big "meet cute".

220
00:12:34,841 --> 00:12:36,886
What weirdness have you
brought us today?

221
00:12:37,060 --> 00:12:40,455
The Paris Albums, 1946-1949.

222
00:12:40,629 --> 00:12:42,152
Oh, you really
shouldn't wear gloves

223
00:12:42,326 --> 00:12:44,415
when handling historical
documents, Real Rashid.

224
00:12:44,589 --> 00:12:47,157
- It reduces dexterity.
- It's just Rashid.

225
00:12:47,331 --> 00:12:49,551
Makes it more likely
you'll rip a page

226
00:12:49,725 --> 00:12:51,509
in the item being examined.

227
00:12:51,683 --> 00:12:53,207
Thank you, Rashid.

228
00:12:54,338 --> 00:12:55,470
So?

229
00:12:56,863 --> 00:12:59,169
Photos are the record
of time passing.

230
00:12:59,343 --> 00:13:02,042
- Outward evidence.
- They do not lie,

231
00:13:02,216 --> 00:13:04,653
but neither do they
tell you a thorough story.

232
00:13:07,612 --> 00:13:09,963
Who are the young men? Vampires?

233
00:13:10,137 --> 00:13:12,139
Those were our young friends.

234
00:13:12,879 --> 00:13:14,968
Humans. Guys.

235
00:13:18,058 --> 00:13:20,712
Some are
very old now, most are dead.

236
00:13:20,887 --> 00:13:23,411
And some we simply drained
for sport. Well...

237
00:13:24,107 --> 00:13:25,717
generally me.

238
00:13:26,283 --> 00:13:27,894
Louis has his ways.

239
00:13:33,116 --> 00:13:35,858
<i>You could tell from</i>
<i>his walk, he was an American.</i>

240
00:13:36,554 --> 00:13:40,645
<i>I'm an American. What</i>
<i>exactly is an American walk?</i>

241
00:13:40,820 --> 00:13:42,386
<i>Two wars had made</i>
<i>a certain impression</i>

242
00:13:42,560 --> 00:13:44,388
<i>on the men of France.</i>

243
00:13:44,562 --> 00:13:48,479
<i>There was no way to describe</i>
<i>it other than... optimistic.</i>

244
00:13:48,653 --> 00:13:51,439
<i>There was a park</i>
<i>I'd heard about.</i>

245
00:13:53,136 --> 00:13:55,356
<i>I would go to this park often.</i>

246
00:13:57,271 --> 00:13:59,926
<i>I was an armored thing</i>
<i>that spring,</i>

247
00:14:01,710 --> 00:14:03,930
<i>someone steady</i>
<i>on his feet but...</i>

248
00:14:05,018 --> 00:14:06,889
With a history of chasing
the wrong kind of love.

249
00:14:07,063 --> 00:14:09,065
I'll describe it myself,
thank you.

250
00:14:09,239 --> 00:14:10,545
Yes.

251
00:14:12,634 --> 00:14:15,898
But with a history of chasing
the wrong kind of love.

252
00:14:16,072 --> 00:14:18,988
Well, where better
to explore who you are,

253
00:14:19,162 --> 00:14:22,687
to find the right kind of love,
than in a public park?

254
00:14:22,862 --> 00:14:25,168
<i>I had lost patience.</i>

255
00:14:25,342 --> 00:14:27,170
<i>I was convinced</i>
<i>we were being toyed with</i>

256
00:14:27,344 --> 00:14:29,956
<i>and I could hold back</i>
<i>the coven only so long.</i>

257
00:14:33,394 --> 00:14:35,613
<i>I knew the park well myself,</i>

258
00:14:35,787 --> 00:14:37,702
<i>knew what went on</i>
<i>in the rambles there,</i>

259
00:14:37,877 --> 00:14:41,793
<i>so I was not surprised</i>
<i>to find him without the girl.</i>

260
00:14:44,492 --> 00:14:46,886
<i>I would confront</i>
<i>the elder and make him aware</i>

261
00:14:47,060 --> 00:14:50,672
<i>of the ways rogue vampires</i>
<i>were dealt with in Paris.</i>

262
00:14:54,806 --> 00:14:59,289
<i>He looked like a boy</i>
<i>masquerading as a gentleman.</i>

263
00:14:59,463 --> 00:15:02,902
<i>But I sensed his</i>
<i>ancient power right away.</i>

264
00:15:03,076 --> 00:15:05,861
<i>He was... awkward.</i>

265
00:15:06,035 --> 00:15:08,603
His attempt to blend
in as some layman,

266
00:15:08,777 --> 00:15:11,780
thinking he could fade into
the landscape, it was absurd.

267
00:15:12,607 --> 00:15:13,564
I mean...

268
00:15:14,652 --> 00:15:17,699
<i>he was alarmingly handsome</i>
<i>in the muted lamplight.</i>

269
00:15:19,309 --> 00:15:20,963
<i>I thought</i>
<i>he was going to kill me.</i>

270
00:15:28,057 --> 00:15:29,580
So?

271
00:15:30,755 --> 00:15:33,149
- Yeah?
- Who broke the ice?

272
00:15:34,063 --> 00:15:36,674
What were the first words
of the ancient vampire

273
00:15:36,848 --> 00:15:38,763
to the future love of his life?

274
00:15:39,416 --> 00:15:41,070
I will not...

275
00:15:41,244 --> 00:15:42,767
- Please.
- No.

276
00:15:42,942 --> 00:15:44,291
Please.

277
00:15:46,902 --> 00:15:50,775
He said, "I will not harm you."

278
00:15:51,907 --> 00:15:53,604
And I never have.

279
00:15:59,741 --> 00:16:00,960
Come.

280
00:16:02,657 --> 00:16:05,442
And bring the petite
beauty with you.

281
00:16:09,664 --> 00:16:11,840
You are most welcome.

282
00:16:39,433 --> 00:16:41,000
Claudia!

283
00:16:41,174 --> 00:16:42,175
Claudia!

284
00:16:42,827 --> 00:16:43,872
Claudia!

285
00:16:46,570 --> 00:16:48,877
I found someone.
Or they found me.

286
00:16:49,051 --> 00:16:50,487
Found us!

287
00:16:50,661 --> 00:16:52,141
<i></i>
<i>Give me that. Let me see.</i>

288
00:16:52,315 --> 00:16:53,838
<i>Five months removed</i>

289
00:16:54,013 --> 00:16:55,666
<i>from their</i>
<i>velvet-heeled arrival,</i>

290
00:16:55,840 --> 00:16:58,452
<i>the Americans were</i>
<i>finally coming to Pigalle.</i>

291
00:16:58,626 --> 00:17:00,671
<i></i>
<i>The perfumed armpit of Paris.</i>

292
00:17:00,845 --> 00:17:03,544
Entradas. Tickets. Des billets.

293
00:17:07,200 --> 00:17:09,028
Monsieur de Pointe du Lac.

294
00:17:11,073 --> 00:17:12,770
Our finest seats.

295
00:17:16,339 --> 00:17:18,472
<i></i>
<i>The house was only half full.</i>

296
00:17:18,646 --> 00:17:23,042
<i>A mixture of slavish devotees</i>
<i>and over-served tourists.</i>

297
00:17:23,216 --> 00:17:25,174
<i></i>
<i>We had become amusingly passé</i>

298
00:17:25,348 --> 00:17:27,220
<i>amongst the theater community</i>

299
00:17:27,394 --> 00:17:29,178
<i>and found a more receptive</i>
<i>audience from our</i>

300
00:17:29,352 --> 00:17:32,877
<i>Anglican friends</i>
<i>now invading Paris postwar.</i>

301
00:17:33,052 --> 00:17:34,662
<i>Five out of every</i>
<i>seven performances</i>

302
00:17:34,836 --> 00:17:36,316
<i>were in the King's English.</i>

303
00:17:36,490 --> 00:17:39,058
<i>Some had been there</i>
<i>dozens of times.</i>

304
00:17:39,232 --> 00:17:41,930
<i>And some couldn't</i>
<i>care less what was spoken.</i>

305
00:17:42,104 --> 00:17:44,585
<i>They were</i>
<i>all the same to us.</i>

306
00:17:44,759 --> 00:17:46,413
<i>Cattle for</i>
<i>our nightly sabbath.</i>

307
00:17:46,587 --> 00:17:49,111
<i>But we were there</i>
<i>for vampires</i>

308
00:17:49,285 --> 00:17:52,680
<i>and we felt their numbers</i>
<i>in the charged air.</i>

309
00:17:53,159 --> 00:17:56,292
Places!
Projections! Music!

310
00:17:59,861 --> 00:18:01,602
Screams and lights.

311
00:18:01,776 --> 00:18:03,473
Santiago!

312
00:18:03,647 --> 00:18:05,910
Ladies and gentlemen!

313
00:18:06,085 --> 00:18:08,304
Madames and messieurs!

314
00:18:08,478 --> 00:18:12,613
Offal and offalesses.

315
00:18:27,323 --> 00:18:29,108
Welcome!

316
00:18:29,282 --> 00:18:32,415
To the displacement of reason.

317
00:18:33,590 --> 00:18:38,465
And the excretion
of pathetic desires.

318
00:18:39,596 --> 00:18:40,902
By that I mean...

319
00:18:41,468 --> 00:18:43,296
- Good evening.
- Good evening!

320
00:18:47,952 --> 00:18:49,998
What you're about to see...

321
00:18:51,260 --> 00:18:53,219
is, for you, an outrage

322
00:18:53,393 --> 00:18:56,352
that masks a birth
and a rebirth of what is...

323
00:18:56,526 --> 00:18:58,659
<i>The rope's limp.</i>
<i>He's really flying.</i>

324
00:18:58,833 --> 00:19:01,096
<i>- I know!</i>
- Instead of mere human drama,

325
00:19:01,270 --> 00:19:05,013
we here at
Theatre Des Vampires,

326
00:19:05,187 --> 00:19:07,711
delve into the underbelly
of the human soul,

327
00:19:07,885 --> 00:19:12,151
to present to you
the highest form of art

328
00:19:12,325 --> 00:19:14,979
in the lowest of ways!

329
00:19:19,027 --> 00:19:21,377
Have you repressions
that need airing?

330
00:19:21,551 --> 00:19:23,771
Oh, you've come to
the right place.

331
00:19:23,945 --> 00:19:26,077
Phobias toward your next of kin?

332
00:19:26,252 --> 00:19:29,733
Amis, we assist in turning
down the sheets!

333
00:19:29,907 --> 00:19:31,474
Bloodlust?!

334
00:19:31,648 --> 00:19:34,129
Fear of the insane?!

335
00:19:34,303 --> 00:19:35,870
I salute your honesty.

336
00:19:36,044 --> 00:19:38,655
Right after I take
my boot from your arse!

337
00:19:38,829 --> 00:19:41,180
But seriously, mes amis,

338
00:19:41,354 --> 00:19:44,531
being vampires, and by nature
superior to you mortals,

339
00:19:44,705 --> 00:19:47,142
we can replicate the
level of bilge necessary

340
00:19:47,316 --> 00:19:50,450
to disrupt your tiny ship
called human decency.

341
00:19:50,624 --> 00:19:54,193
In fact, we capsize it. So,
if you don't leave here tonight

342
00:19:54,367 --> 00:19:59,067
seeing the world upside down and
liking very much what you see,

343
00:19:59,241 --> 00:20:01,548
and feel,

344
00:20:03,071 --> 00:20:05,943
then we here
at Theatre Des Vampires,

345
00:20:06,117 --> 00:20:08,859
have failed in our jobs
which is, at the heart of it,

346
00:20:09,033 --> 00:20:11,340
to laugh alongside your misery

347
00:20:11,514 --> 00:20:14,343
while you cry
and scream for more.

348
00:20:14,517 --> 00:20:15,910
More!

349
00:20:34,885 --> 00:20:37,236
Everything you're
about to see...

350
00:20:38,585 --> 00:20:39,934
is real.

351
00:20:43,677 --> 00:20:46,723
Remember that when
you leave here tonight.

352
00:20:46,897 --> 00:20:48,595
You are all...

353
00:20:49,465 --> 00:20:51,119
complicit...

354
00:20:52,207 --> 00:20:53,948
repugnant...

355
00:20:55,254 --> 00:20:56,777
and appalling!

356
00:20:58,692 --> 00:20:59,910
And...

357
00:21:00,955 --> 00:21:03,436
I love you for it.

358
00:21:04,741 --> 00:21:06,743
And I welcome you...

359
00:21:07,788 --> 00:21:12,923
even as you disgust me!

360
00:21:21,802 --> 00:21:24,021
Well done! Superb! Superb!

361
00:21:32,552 --> 00:21:35,468
Why does the Master
have us tend to the prized,

362
00:21:35,642 --> 00:21:37,383
singular plant at night,

363
00:21:37,557 --> 00:21:39,385
when the rest of the garden
is tended by day?

364
00:21:39,559 --> 00:21:42,257
<i>The actors performed</i>
<i>in front of a cinema screen,</i>

365
00:21:42,431 --> 00:21:44,607
<i>interacting with animations</i>
<i>and bits of film</i>

366
00:21:44,781 --> 00:21:46,827
<i>in near perfect</i>
<i>synchronization.</i>

367
00:21:47,741 --> 00:21:49,656
<i>The effect was wondrous.</i>

368
00:21:49,830 --> 00:21:51,962
<i>The modern cinema</i>
<i>had an enormous influence</i>

369
00:21:52,136 --> 00:21:54,313
<i>on my aesthetic and</i>
<i>the light of the projector</i>

370
00:21:54,487 --> 00:21:57,141
<i>on the faces of our actors</i>
<i>lent a romantic air</i>

371
00:21:57,316 --> 00:21:58,926
<i>to their performances.</i>

372
00:22:03,365 --> 00:22:05,672
<i>The plays were weird.</i>

373
00:22:05,846 --> 00:22:08,414
<i>The plays were</i>
<i>timeless, updated for the age</i>

374
00:22:08,588 --> 00:22:10,503
<i>and all from our</i>
<i>150 year repertoire.</i>

375
00:22:10,677 --> 00:22:12,331
<i>They were weird!</i>

376
00:22:12,505 --> 00:22:15,638
<i>And always ended in death</i>
<i>or some kind of cruel,</i>

377
00:22:15,812 --> 00:22:17,771
<i>barely motivated violence.</i>

378
00:22:17,945 --> 00:22:20,600
<i>Life is cruel.</i>
<i>Life is violent.</i>

379
00:22:20,774 --> 00:22:23,037
<i>Claudia</i>
<i>absolutely loved them.</i>

380
00:22:23,211 --> 00:22:25,169
<i>And it was</i>
<i>the first time in Paris</i>

381
00:22:25,344 --> 00:22:28,303
<i>I had seen a smile</i>
<i>or a laugh come out of her</i>

382
00:22:28,477 --> 00:22:29,870
<i>that wasn't for my benefit.</i>

383
00:22:30,479 --> 00:22:33,003
<i>But what was truly confusing</i>
<i>that first night</i>

384
00:22:33,177 --> 00:22:35,354
<i>were the efforts to make it</i>
<i>all appear as farce.</i>

385
00:22:35,528 --> 00:22:36,920
Syrup!

386
00:22:37,094 --> 00:22:38,922
<i>The fake vampire teeth,</i>

387
00:22:39,096 --> 00:22:41,272
<i>the fake blood,</i>
<i>the trick rope.</i>

388
00:22:41,447 --> 00:22:43,536
<i>It was all</i>
<i>a seduction,</i>

389
00:22:43,710 --> 00:22:47,496
<i>to lure the cattle into</i>
<i>a willing belief of disbelief.</i>

390
00:22:47,670 --> 00:22:50,717
<i>The only play that mattered</i>
<i>was the last.</i>

391
00:23:08,212 --> 00:23:11,738
Woodcutter!

392
00:23:12,869 --> 00:23:16,264
- Woodcutter!
- Who are you?

393
00:23:18,135 --> 00:23:22,052
I am what you think I am,
woodcutter.

394
00:23:22,226 --> 00:23:23,532
Go away.

395
00:23:26,100 --> 00:23:29,320
The clock in your heart.

396
00:23:29,495 --> 00:23:32,889
The gears have stopped meshing.

397
00:23:35,936 --> 00:23:38,242
Help me, someone! Please!

398
00:23:38,417 --> 00:23:39,418
What is this?

399
00:23:41,289 --> 00:23:43,291
She's disrupted
the performance!

400
00:23:45,119 --> 00:23:47,426
No! No, no, no, no!

401
00:23:47,600 --> 00:23:49,558
Let her speak, Sam.
Let her speak.

402
00:23:56,391 --> 00:23:59,263
Shh, shh, shh,
shh, shh. Now, now, now, now.

403
00:24:00,177 --> 00:24:02,963
This is an "English only"
performance.

404
00:24:03,920 --> 00:24:05,444
Start again.

405
00:24:06,662 --> 00:24:08,664
My...

406
00:24:08,838 --> 00:24:12,973
My name is Annika Rooman.

407
00:24:15,018 --> 00:24:16,629
I live in Antwerp.

408
00:24:18,848 --> 00:24:22,983
I was taken from
my hotel room last night.

409
00:24:24,071 --> 00:24:27,466
These people are vampires!

410
00:24:27,640 --> 00:24:29,729
True vampires!

411
00:24:29,903 --> 00:24:32,166
This... This is real!

412
00:24:32,340 --> 00:24:35,735
- Call my husband!
- I'll call him for you, baby.

413
00:24:57,496 --> 00:24:59,106
Suppose we were to let you go.

414
00:24:59,280 --> 00:25:01,630
- P-Please! Y-Yes.
- Yes?

415
00:25:01,804 --> 00:25:03,023
Yes.

416
00:25:03,197 --> 00:25:05,634
Suppose the Reaper had a heart

417
00:25:06,505 --> 00:25:09,203
that could resist
your Belgian beauty.

418
00:25:12,075 --> 00:25:14,208
Someone would have
to take your place.

419
00:25:16,036 --> 00:25:17,211
Your husband?

420
00:25:19,605 --> 00:25:20,693
Oh?

421
00:25:22,390 --> 00:25:23,739
Your son?

422
00:25:23,913 --> 00:25:26,699
I... I can't...
I can't and I wouldn't.

423
00:25:31,312 --> 00:25:33,880
How about...

424
00:25:38,319 --> 00:25:39,407
him?

425
00:25:41,278 --> 00:25:43,890
Mmm. Mm, mm.

426
00:25:48,677 --> 00:25:50,723
Oh, dear man,

427
00:25:50,897 --> 00:25:54,901
whose flesh has run in every
direction from his mustache,

428
00:25:55,075 --> 00:25:57,381
I want you to remember this...

429
00:25:58,644 --> 00:26:01,168
the next time you're in the pew,

430
00:26:01,342 --> 00:26:03,736
you turn to your neighbor
and say,

431
00:26:05,651 --> 00:26:06,913
"Peace be unto you."

432
00:26:11,874 --> 00:26:14,268
They'll give you up...

433
00:26:15,312 --> 00:26:17,053
in a wink!

434
00:26:32,416 --> 00:26:34,375
Not his time, Annika.

435
00:26:34,549 --> 00:26:38,292
Shh, shh.

436
00:26:41,295 --> 00:26:44,603
Now, now. There, there.

437
00:26:50,521 --> 00:26:52,959
It must...

438
00:26:55,701 --> 00:26:56,919
be.

439
00:27:04,666 --> 00:27:07,321
Annika Rooman of Antwerp.

440
00:27:08,627 --> 00:27:09,715
Death...

441
00:27:10,324 --> 00:27:12,326
awaits everyone...

442
00:27:13,066 --> 00:27:14,241
everywhere.

443
00:27:14,415 --> 00:27:15,982
Why not here?

444
00:27:18,245 --> 00:27:22,771
Unconscious death is
the fate of all mortals.

445
00:27:25,731 --> 00:27:26,993
Up.

446
00:27:27,733 --> 00:27:28,821
Up.

447
00:27:29,778 --> 00:27:30,866
Up.

448
00:27:31,388 --> 00:27:36,698
We are conscious death, Annika.

449
00:27:37,481 --> 00:27:39,179
And that would make you...

450
00:27:41,311 --> 00:27:42,661
a bride.

451
00:28:00,635 --> 00:28:04,160
Do you know what it means
to be loved by death?

452
00:28:07,163 --> 00:28:09,035
No pain.

453
00:28:09,818 --> 00:28:11,385
No pain.

454
00:28:53,035 --> 00:28:54,776
- Bravo!
- Santiago!

455
00:29:02,392 --> 00:29:03,872
Bravo!

456
00:29:36,905 --> 00:29:39,603
Our coven has been here
since the reign of Charlemagne

457
00:29:39,778 --> 00:29:41,780
but we only became
a theater company

458
00:29:41,954 --> 00:29:43,956
after Danton was guillotined.

459
00:29:44,130 --> 00:29:47,611
Ah! Do I hear French from
the lips of an English company?

460
00:29:49,483 --> 00:29:52,703
Ah, better, better. If you
desire to seduce on stage

461
00:29:52,878 --> 00:29:55,837
you must live it off stage!
Thank you.

462
00:29:56,011 --> 00:29:58,187
London was not made
overnight, Maitre.

463
00:29:58,361 --> 00:30:00,102
And that is why several
Toulousian G's

464
00:30:00,276 --> 00:30:01,887
pricked my ear in act four.

465
00:30:02,061 --> 00:30:03,976
- Did you catch that Englishman?
- Oh, I did, Maitre.

466
00:30:04,150 --> 00:30:05,934
Otherwise very committed
tonight, Madame.

467
00:30:06,108 --> 00:30:08,241
- Merci.
- That goes for the entire company.

468
00:30:08,415 --> 00:30:11,331
Very committed tonight!
Bravo! Brava!

469
00:30:11,505 --> 00:30:13,681
Even as they wipe
their greasepaint,

470
00:30:13,855 --> 00:30:16,858
as if this were
an ordinary night.

471
00:30:17,032 --> 00:30:19,426
Five months of nights.

472
00:30:22,559 --> 00:30:25,345
Five insolent months of nights,

473
00:30:26,825 --> 00:30:31,525
waiting for you to humble us
with your appearance.

474
00:30:32,787 --> 00:30:36,835
I ask you, Maitre,
was it worth the wait?

475
00:30:45,539 --> 00:30:47,106
Oi!

476
00:30:47,280 --> 00:30:50,196
Oh, Estelle!

477
00:30:50,370 --> 00:30:52,851
The Americans are here!

478
00:30:54,504 --> 00:30:55,462
Bonsoir!

479
00:31:02,686 --> 00:31:04,558
Louis and Claudia.

480
00:31:04,732 --> 00:31:06,560
The Theatre Des Vampires.

481
00:31:06,734 --> 00:31:08,475
Fuck off!

482
00:31:08,649 --> 00:31:12,087
Eglee, front of house. Romaine,
stage management, props.

483
00:31:12,261 --> 00:31:14,742
- Luchenbaum, costumes.
- Stunning work.

484
00:31:14,916 --> 00:31:17,745
Ah, Samuel Barclay,
playwright in residence.

485
00:31:17,919 --> 00:31:19,486
Sam. Call me Sam.

486
00:31:19,660 --> 00:31:22,576
Basilic, Planche, Merde'em,
the orchestra.

487
00:31:22,750 --> 00:31:24,926
- Nice drumming, drums.
- Thank you.

488
00:31:25,100 --> 00:31:27,494
Tuan and Quang Pham.
projections,

489
00:31:27,668 --> 00:31:30,801
scenery, swing actor.
Father and son.

490
00:31:30,976 --> 00:31:32,760
They joined the coven
on an eventful

491
00:31:32,934 --> 00:31:34,414
pre-century tour
of the colonies.

492
00:31:34,588 --> 00:31:37,199
- Oh, the son looks...
- Older than the father. Yes.

493
00:31:37,373 --> 00:31:39,854
Quang here refused the dark
gift until he could be on stage.

494
00:31:40,028 --> 00:31:41,508
My son is rebellious.

495
00:31:44,076 --> 00:31:45,729
- English!
- Father is an asshole.

496
00:31:46,643 --> 00:31:48,341
Landing us our core
acting company.

497
00:31:48,515 --> 00:31:51,866
Gustave, Celeste, Estelle
and Santiago.

498
00:31:52,040 --> 00:31:54,260
You were amazing.

499
00:31:54,434 --> 00:31:57,263
I was, wasn't I? Love the dress.

500
00:31:57,437 --> 00:31:59,178
Oh. Thank you.

501
00:31:59,352 --> 00:32:01,920
Do American vampiresses
all wear pastels?

502
00:32:02,094 --> 00:32:04,400
Claudia is the only
American vampiress,

503
00:32:04,574 --> 00:32:05,749
so I say that's a yes.

504
00:32:05,924 --> 00:32:08,752
And are all American vampires

505
00:32:08,927 --> 00:32:12,017
- as alluring as you?
- Uh...

506
00:32:12,191 --> 00:32:14,758
No. Louis was expelled
for his beauty.

507
00:32:14,933 --> 00:32:17,805
Oh, such a burden, beauty.

508
00:32:17,979 --> 00:32:20,547
Who's your maker?

509
00:32:20,721 --> 00:32:22,244
- My maker?
- Mmm.

510
00:32:22,418 --> 00:32:24,464
Eglee here does star charts
for us all.

511
00:32:24,638 --> 00:32:26,161
Night you were given the gift,

512
00:32:26,335 --> 00:32:28,163
phase of the moon,
name of the maker.

513
00:32:28,337 --> 00:32:30,296
- I don't really need...
- D'you both have the same maker?

514
00:32:30,470 --> 00:32:32,254
We did. Yeah.

515
00:32:32,428 --> 00:32:34,343
His name was Bruce.

516
00:32:34,517 --> 00:32:35,605
Bruce?

517
00:32:37,738 --> 00:32:39,653
Is he Scottish?

518
00:32:39,827 --> 00:32:41,263
He said he was from Copenhagen.

519
00:32:41,437 --> 00:32:43,309
We met him on the road
just outside of...

520
00:32:43,483 --> 00:32:45,485
- Chicago.
- We traveled a lot.

521
00:32:45,659 --> 00:32:48,923
As you do,
when the kills pile up.

522
00:32:49,097 --> 00:32:50,533
We don't like to talk
about him much.

523
00:32:50,707 --> 00:32:53,841
He threw himself into
a fire in front of us.

524
00:32:55,495 --> 00:32:58,280
And once again, Santiago,

525
00:32:58,454 --> 00:33:01,631
it seems you've missed
the vein and drawn air instead.

526
00:33:01,805 --> 00:33:04,243
- Hmm!
- I got a question.

527
00:33:04,417 --> 00:33:07,202
Who's that handsome man
on the wall up there?

528
00:33:07,376 --> 00:33:10,379
Ah!
With us in spirit always.

529
00:33:10,553 --> 00:33:13,992
Our co-founder and the finest
actor ever to walk our stage.

530
00:33:15,428 --> 00:33:17,256
Lestat de Lioncourt.

531
00:33:19,867 --> 00:33:23,305
Should have seen that coming.
Did not see that one coming.

532
00:33:24,176 --> 00:33:26,439
- Big red flag, huh?
- The biggest.

533
00:33:26,613 --> 00:33:28,963
- You must understand...
- Oh, I understand.

534
00:33:29,137 --> 00:33:31,400
In a community as small as ours,

535
00:33:31,574 --> 00:33:34,055
such crossings of immortal
paths is expected,

536
00:33:34,229 --> 00:33:35,970
perhaps more common
than you would think.

537
00:33:36,144 --> 00:33:37,580
And Juan looked up
at the painting

538
00:33:37,754 --> 00:33:40,366
and saw that Theresa's
dead husband was Roberto.

539
00:33:40,540 --> 00:33:43,108
He had eloped with
his enemy's widow.

540
00:33:43,282 --> 00:33:45,675
It's a telenovela!

541
00:33:45,849 --> 00:33:50,028
<i>I mean, come on!</i>
<i>Lestat's painting on the wall!</i>

542
00:33:50,202 --> 00:33:52,552
<i>Are you kidding me? Really?</i>

543
00:33:52,726 --> 00:33:54,641
Oh, and that means...

544
00:33:54,815 --> 00:33:57,470
That means you knew
Lestat before he did!

545
00:33:57,644 --> 00:34:00,777
- Yes, Armand knew Lestat.
- Wait a minute.

546
00:34:00,951 --> 00:34:03,302
And yes, he was
briefly with Lestat.

547
00:34:03,476 --> 00:34:05,869
- You both fucked Lestat?!
- A hundred plus years apart.

548
00:34:06,044 --> 00:34:08,089
- They were not compatible.
- He tasted like vermouth

549
00:34:08,263 --> 00:34:09,351
and annihilation.

550
00:34:09,525 --> 00:34:11,353
You shared a boyfriend!

551
00:34:11,527 --> 00:34:12,876
This is great!

552
00:34:13,051 --> 00:34:14,617
I fucked Santiago too.

553
00:34:14,791 --> 00:34:17,664
And Celeste, and Estelle.
Even had an aerobic evening

554
00:34:17,838 --> 00:34:19,970
with Tuan and Quang Pham
in the back row of a cinema

555
00:34:20,145 --> 00:34:22,582
- watching 'Now, Voyager'.
- Did you?

556
00:34:22,756 --> 00:34:26,020
It's repertory theatre, Mr.
Molloy. It's how one endures.

557
00:34:26,194 --> 00:34:28,327
Lestat's appearance
is important,

558
00:34:28,501 --> 00:34:30,546
just not in the way
you think it is, Daniel.

559
00:34:30,720 --> 00:34:33,114
Oh, I'm done thinking.

560
00:34:33,288 --> 00:34:35,812
Bring me the tequila
and some popcorn,

561
00:34:35,986 --> 00:34:38,250
let's flip to
channel 300-something,

562
00:34:38,424 --> 00:34:40,861
it's a Univision night!

563
00:34:41,427 --> 00:34:44,386
I saw his stupid face
up there and had to think of something quick.

564
00:34:44,560 --> 00:34:46,171
You couldn't make up a name?

565
00:34:46,345 --> 00:34:48,042
Best lies got some truth to 'em.

566
00:34:48,216 --> 00:34:50,218
And that's the only
other vampire I knew.

567
00:34:51,219 --> 00:34:52,786
- It's gonna be fine.
- Fine?

568
00:34:52,960 --> 00:34:55,093
Yeah, fine. What about Lestat?

569
00:34:55,267 --> 00:34:57,617
He's 100-something-year-old
painting in a frame.

570
00:34:57,791 --> 00:35:00,576
They got a fucking shrine! What
if they find out we killed him?

571
00:35:00,750 --> 00:35:02,796
One of us
would have to tell them. - Or think it!

572
00:35:02,970 --> 00:35:04,841
Well, I thought it
the second I saw his face

573
00:35:05,015 --> 00:35:07,844
in the frame, but there
they were inviting us back,

574
00:35:08,018 --> 00:35:10,325
- five minutes later.
- To kill us.

575
00:35:10,499 --> 00:35:12,458
And right after that
I invaded their thoughts,

576
00:35:12,632 --> 00:35:15,200
and not one, not one of them,

577
00:35:15,374 --> 00:35:17,550
thought anything other than
I want to lick these two,

578
00:35:17,724 --> 00:35:19,943
so we need to stay away
from Estelle if we can.

579
00:35:20,118 --> 00:35:21,423
But they knew nothing

580
00:35:21,597 --> 00:35:23,033
and they're gonna
continue knowing nothing,

581
00:35:23,208 --> 00:35:24,731
cos you're gonna keep
that loose head of yours

582
00:35:24,905 --> 00:35:26,385
tight because I wanna
go back, Louis.

583
00:35:26,559 --> 00:35:28,126
- Are you crazy?
- What about the play?

584
00:35:28,300 --> 00:35:29,910
When they all pounced
on that woman,

585
00:35:30,084 --> 00:35:31,999
drained her right in front
of their dumb faces?

586
00:35:32,173 --> 00:35:34,697
Tell me you did not feel pride.

587
00:35:34,871 --> 00:35:37,439
- I did not feel pride.
- Yes, you did!

588
00:35:37,613 --> 00:35:39,224
Past your empathy
for that woman,

589
00:35:39,398 --> 00:35:42,618
past your fear of being
exposed. Vampire pride.

590
00:35:42,792 --> 00:35:45,708
Those Frenchies
love being vampires.

591
00:35:45,882 --> 00:35:47,971
And they shamed us because
we never felt that way

592
00:35:48,146 --> 00:35:50,060
and we fucking should!

593
00:35:50,235 --> 00:35:53,194
- I'm going back. I want more.
- It's not safe there!

594
00:35:53,368 --> 00:35:56,241
Fourteen hapless vampires
being led by a vampire

595
00:35:56,415 --> 00:35:58,678
with skin darker than yours?

596
00:35:58,852 --> 00:36:03,378
What else is there to be scared
of? Other than your own lust?

597
00:36:03,552 --> 00:36:06,555
- Oh, you felt my lust?
- Armand?

598
00:36:06,729 --> 00:36:09,167
Oh, yeah. Felt his too.

599
00:36:09,341 --> 00:36:11,125
Now I know what
two blood fat cocks

600
00:36:11,299 --> 00:36:14,041
slapping hands feel like,
so thank you for that.

601
00:36:15,782 --> 00:36:17,566
Take your people pictures!

602
00:36:17,740 --> 00:36:19,742
Worship them in
the red light all you want!

603
00:36:19,916 --> 00:36:21,527
I want to be with my own!

604
00:36:21,701 --> 00:36:24,356
Don't ruin this for me, Louis.
I need this!

605
00:36:24,530 --> 00:36:26,445
<i>The coven had lifted</i>
<i>Claudia's spirits</i>

606
00:36:26,619 --> 00:36:29,274
<i>but seeing Lestat's portrait</i>
<i>put me on edge.</i>

607
00:36:29,448 --> 00:36:31,450
<i>I needed confirmation</i>
<i>of his death,</i>

608
00:36:31,624 --> 00:36:33,582
<i>and then I remembered</i>
<i>his frequent money wires</i>

609
00:36:33,756 --> 00:36:36,019
<i>came from a law firm</i>
<i>with an address in the Marais,</i>

610
00:36:36,194 --> 00:36:37,934
<i>Roget and Associates.</i>

611
00:36:38,108 --> 00:36:39,327
We were very close friends.

612
00:36:39,501 --> 00:36:41,895
We owned some
real estate together.

613
00:36:42,069 --> 00:36:44,332
A townhouse on Royal Street...

614
00:36:45,768 --> 00:36:48,684
in New Orleans. Maybe
your records reflect that?

615
00:36:53,515 --> 00:36:56,562
We were separated by war,
Mr. Lioncourt and myself.

616
00:36:56,736 --> 00:36:59,391
I had some work in Europe.

617
00:37:00,261 --> 00:37:03,308
I lost my American passport
doing that work.

618
00:37:04,004 --> 00:37:06,049
I'm in the process of...

619
00:37:07,703 --> 00:37:09,792
Uh, I'm not here for money.

620
00:37:09,966 --> 00:37:14,580
I'm here to know if
you've heard from... him.

621
00:37:15,581 --> 00:37:16,756
If...

622
00:37:18,061 --> 00:37:20,281
If he is alive, and if so--

623
00:37:20,455 --> 00:37:22,327
We have not heard from
Monsieur de Lioncourt

624
00:37:22,501 --> 00:37:24,285
since February 1940,

625
00:37:24,459 --> 00:37:27,201
when we processed
several wires for him, uh,

626
00:37:27,375 --> 00:37:29,421
for a party he was throwing.

627
00:37:30,552 --> 00:37:32,946
I know who you are, Monsieur.

628
00:37:34,339 --> 00:37:36,602
And I know what you meant
to our cherished client,

629
00:37:36,776 --> 00:37:39,257
Monsieur de Lioncourt.

630
00:37:40,345 --> 00:37:41,737
You say...

631
00:37:42,738 --> 00:37:44,131
You said "meant".

632
00:37:48,918 --> 00:37:50,616
Perhaps he is dead.

633
00:37:51,878 --> 00:37:53,836
Or "sleeping". Hmm?

634
00:37:54,576 --> 00:37:56,709
I have no confirmation
of his actual death,

635
00:37:56,883 --> 00:37:59,842
and cannot declare him
legally dead for years,

636
00:38:00,669 --> 00:38:04,369
but seeing as you are
now here in Paris,

637
00:38:05,283 --> 00:38:08,329
and the fact he has made
no withdrawals from his account,

638
00:38:08,503 --> 00:38:10,984
between us,
it is confirmation enough

639
00:38:11,158 --> 00:38:13,334
for me to pass this box to you,

640
00:38:13,508 --> 00:38:16,163
as instructed in case of, uh...

641
00:38:18,165 --> 00:38:19,427
Well...

642
00:38:21,124 --> 00:38:23,301
I have a client
arriving in 20 minutes.

643
00:38:25,433 --> 00:38:27,087
You may have the office.

644
00:39:07,083 --> 00:39:08,215
Hmm.

645
00:39:13,176 --> 00:39:15,483
In the event
that you are reading this,

646
00:39:16,310 --> 00:39:18,268
something dreadful has occurred,

647
00:39:18,443 --> 00:39:22,011
which is not my own death,
but rather...

648
00:39:24,144 --> 00:39:28,366
the fact that we both now
exist in two different worlds.

649
00:39:29,715 --> 00:39:31,934
Do not waste your life

650
00:39:32,108 --> 00:39:35,503
seeking revenge on the person
or persons who did this.

651
00:39:36,286 --> 00:39:39,028
Do not give them
the satisfaction of the hunt.

652
00:39:41,422 --> 00:39:44,251
Let treachery eat away
at them from within.

653
00:39:46,122 --> 00:39:47,515
And you...

654
00:39:50,039 --> 00:39:51,954
you go carry on
with your living.

655
00:39:52,128 --> 00:39:54,130
Know only this, mon cher,

656
00:39:54,304 --> 00:39:56,524
you are the only being I trust,

657
00:39:58,265 --> 00:40:01,399
and whom I love,
above and beyond myself.

658
00:40:05,707 --> 00:40:07,883
All my love belongs to you.

659
00:40:08,493 --> 00:40:10,233
You are its keeper.

660
00:40:15,804 --> 00:40:18,546
A veil will now forever
separate our union.

661
00:40:21,070 --> 00:40:23,116
But it is a thin veil...

662
00:40:25,466 --> 00:40:27,903
and I am always
on the other side,

663
00:40:30,384 --> 00:40:33,561
face pressed up
against your longing.

664
00:40:38,348 --> 00:40:40,960
Lestat de Lioncourt.

665
00:40:46,487 --> 00:40:49,272
Lestat, Lestat, Lestat.

666
00:40:50,317 --> 00:40:52,319
Love of my life, or is it more

667
00:40:52,493 --> 00:40:54,103
"rebound of my life"
with you two?

668
00:40:54,277 --> 00:40:57,411
It's a haunting memory
Louis just shared with you.

669
00:40:57,585 --> 00:40:59,544
What a comfort,
your ability to continue

670
00:40:59,718 --> 00:41:01,937
pulling humor from his pain.
Cathartic.

671
00:41:02,111 --> 00:41:04,549
It's a joke.
It's a joke. You serve it up.

672
00:41:04,723 --> 00:41:06,420
Alice is in her third trimester.

673
00:41:06,594 --> 00:41:08,291
She's steps in gum
on the corner of

674
00:41:08,466 --> 00:41:11,120
- Rues Palatine and Servandoni.
- The old parlor trick.

675
00:41:11,294 --> 00:41:13,601
She makes you scrape it off
with a credit card.

676
00:41:13,775 --> 00:41:15,951
It's not a credit card. I have
no credit. It's a library card.

677
00:41:16,125 --> 00:41:18,606
She was wearing that short
purple dress you favored.

678
00:41:18,780 --> 00:41:21,304
I liked the way she walked
in it. She was confident in it.

679
00:41:21,479 --> 00:41:23,959
You felt freer to hold her hand
in Paris. I wonder why that is?

680
00:41:24,133 --> 00:41:27,310
Hitting the garage door, Louis.
All the crap, have at it!

681
00:41:27,485 --> 00:41:30,966
You worked so hard to get
that table right in the corner,

682
00:41:31,140 --> 00:41:32,402
so you could pull out the ring.

683
00:41:32,577 --> 00:41:34,056
The ring! Yeah, that's good.

684
00:41:34,230 --> 00:41:35,536
Just at the right moment
to surprise her.

685
00:41:35,710 --> 00:41:38,060
- Which I did.
- And what did she say

686
00:41:38,234 --> 00:41:40,759
when you finally asked
her to marry you?

687
00:41:45,677 --> 00:41:48,593
In middle school you stole
your dad's Playboy magazines.

688
00:41:48,767 --> 00:41:50,943
- Sold them at recess.
- Danny.

689
00:41:51,117 --> 00:41:53,772
I'll ask for a third time.

690
00:41:53,946 --> 00:41:59,255
What did Alice say when you
finally asked her to marry you?

691
00:41:59,429 --> 00:42:01,301
Louis,
perhaps we should...

692
00:42:01,475 --> 00:42:02,955
She said no.

693
00:42:11,964 --> 00:42:15,358
She wanted to say yes,
but she didn't trust you.

694
00:42:15,533 --> 00:42:17,578
You hadn't given her
a reason to.

695
00:42:17,752 --> 00:42:20,799
Would you like to know
what she thinks of you now?

696
00:42:20,973 --> 00:42:24,150
If she thinks of you now?
We could do that.

697
00:42:24,846 --> 00:42:27,283
Or we could simply
return to the interview.

698
00:42:27,457 --> 00:42:31,244
If you're willing to ask
your questions and then listen,

699
00:42:32,462 --> 00:42:34,247
which is your job.

700
00:42:35,117 --> 00:42:36,423
Yes.

701
00:42:37,903 --> 00:42:39,165
Good.

702
00:42:40,209 --> 00:42:41,559
So...

703
00:42:42,647 --> 00:42:44,387
your question.

704
00:42:44,562 --> 00:42:45,563
Um...

705
00:42:49,436 --> 00:42:52,570
What happened next?

706
00:42:52,744 --> 00:42:54,659
<i></i>
<i>They invited us for a hunt.</i>

707
00:42:54,833 --> 00:42:57,836
<i>Claudia had attended</i>
<i>a month of performances</i>

708
00:42:58,010 --> 00:43:01,143
<i>and the coven felt she had</i>
<i>proven herself sincere.</i>

709
00:43:01,317 --> 00:43:03,058
<i>I nodded off one night</i>

710
00:43:03,232 --> 00:43:05,495
<i>while Santiago</i>
<i>was hamming it up.</i>

711
00:43:05,670 --> 00:43:08,237
<i>Apparently, that made me</i>
<i>persona non grata</i>

712
00:43:08,411 --> 00:43:10,283
<i>with the leading man.</i>

713
00:43:20,075 --> 00:43:22,208
<i>We played follow the leader.</i>

714
00:43:22,861 --> 00:43:25,341
<i>A slithering creature</i>
<i>with multiple heads,</i>

715
00:43:25,515 --> 00:43:28,649
<i>rounding roundabouts</i>
<i>with ravenous intent.</i>

716
00:43:29,563 --> 00:43:32,435
<i>Waiting for Maitre</i>
<i>to make the call.</i>

717
00:43:32,610 --> 00:43:34,046
<i></i>
<i>When you share a victim,</i>

718
00:43:34,220 --> 00:43:36,570
<i>as they did</i>
<i>every night on stage,</i>

719
00:43:36,744 --> 00:43:42,271
<i>it's merely a taste,</i>
<i>an amuse-bouche.</i>

720
00:43:46,101 --> 00:43:47,625
<i></i>
<i>When you travel as a pack</i>

721
00:43:47,799 --> 00:43:49,583
<i>you take on</i>
<i>a collective hunger.</i>

722
00:43:49,757 --> 00:43:52,891
<i>The longer the ride,</i>
<i>the more intense the craving.</i>

723
00:43:53,065 --> 00:43:56,764
I am in Paris
with my Parisienne family!

724
00:44:11,170 --> 00:44:13,781
Allez! Allez! Allez!

725
00:44:27,403 --> 00:44:29,623
<i>Put your camera away,</i>
<i>my American friend.</i>

726
00:44:29,797 --> 00:44:31,494
<i>Be one with us.</i>

727
00:44:31,669 --> 00:44:33,540
<i></i>
<i>Where are you taking us?</i>

728
00:44:33,714 --> 00:44:35,977
<i>As far as</i>
<i>our petrol will take us.</i>

729
00:44:41,940 --> 00:44:45,552
<i>Esurient hearts</i>
<i>beating as one.</i>

730
00:44:45,726 --> 00:44:49,382
<i>The rumbling beast</i>
<i>of the moveable feast!</i>

731
00:44:56,389 --> 00:44:59,261
The estate
of the family De LaCroix.

732
00:44:59,435 --> 00:45:01,916
Whilst their countrymen
clutch ration cards,

733
00:45:02,090 --> 00:45:05,180
they've made quite a killing
manipulating the black markets.

734
00:45:11,056 --> 00:45:12,884
Santiago.

735
00:45:19,238 --> 00:45:20,979
Give us the layout,
would you, love?

736
00:45:24,678 --> 00:45:28,160
Fourteen rooms. Nineteen
guests plus their hosts.

737
00:45:28,334 --> 00:45:30,249
Thirteen men, eight women.

738
00:45:30,423 --> 00:45:33,165
And, and... Oh!

739
00:45:33,905 --> 00:45:36,821
Small firearms
in the library bureau.

740
00:45:38,866 --> 00:45:41,564
- Enjoy yourselves.
- Mmm!

741
00:45:42,478 --> 00:45:43,915
You coming?

742
00:45:44,089 --> 00:45:46,569
I ate before the play.
I'm gonna...

743
00:45:56,971 --> 00:45:59,234
I understand you
supplement your diet.

744
00:46:00,366 --> 00:46:02,542
I feast human every other night.

745
00:46:02,716 --> 00:46:04,022
It's my way.

746
00:46:04,196 --> 00:46:06,067
You're not gonna...?

747
00:46:06,241 --> 00:46:08,417
I am now where
I most want to be.

748
00:46:12,944 --> 00:46:14,641
- Nice night.
- Mmm.

749
00:46:14,815 --> 00:46:16,251
Very nice.

750
00:46:21,474 --> 00:46:23,041
You carry yourself well.

751
00:46:23,215 --> 00:46:25,173
Merci.

752
00:46:25,783 --> 00:46:27,872
I like how you withhold.

753
00:46:28,046 --> 00:46:30,744
Don't know about that.
Cautious maybe.

754
00:46:30,918 --> 00:46:32,572
It's alluring.

755
00:46:32,746 --> 00:46:34,356
It's practiced.

756
00:46:34,530 --> 00:46:37,316
I find myself thinking,
"What is in there?"

757
00:46:38,665 --> 00:46:40,667
Been thinking
the same about you.

758
00:46:42,277 --> 00:46:44,062
Been thinking about you often.

759
00:46:48,327 --> 00:46:49,589
Tricky.

760
00:46:49,763 --> 00:46:51,199
What's that?

761
00:46:51,373 --> 00:46:52,722
Us.

762
00:46:52,897 --> 00:46:54,768
- Yes! My word, yes!
- Mmm.

763
00:46:55,595 --> 00:46:57,510
Coven life can get...

764
00:46:58,250 --> 00:47:00,339
labyrinthian depths of...

765
00:47:01,601 --> 00:47:03,081
It can be tricky.

766
00:47:07,433 --> 00:47:08,782
Yes!

767
00:47:09,565 --> 00:47:12,873
- She is something, your Claudia.
- A spark in the dark.

768
00:47:13,047 --> 00:47:15,833
Pity she was made so young.

769
00:47:16,007 --> 00:47:18,618
Imagine her in a body
equal to her mind.

770
00:47:18,792 --> 00:47:20,533
She's managed through it.

771
00:47:21,403 --> 00:47:23,318
Particularly skilled
at blocking her thoughts.

772
00:47:24,711 --> 00:47:26,321
You must work harder on that.

773
00:47:26,495 --> 00:47:27,670
Merci!

774
00:47:28,715 --> 00:47:30,630
I could help you
hone that skill.

775
00:47:32,371 --> 00:47:33,938
Oh, yeah?

776
00:47:34,112 --> 00:47:36,201
- That'd be great.
- Good.

777
00:47:36,766 --> 00:47:38,812
Because I do believe
I felt some trepidation

778
00:47:38,986 --> 00:47:40,945
when the name Lestat
was uttered.

779
00:47:41,946 --> 00:47:43,034
Who?

780
00:47:44,296 --> 00:47:46,341
My dear American friend,

781
00:47:46,515 --> 00:47:49,040
who thinks of me often
and who has...

782
00:47:49,214 --> 00:47:52,391
dominated my mind ever since
I laid eyes upon him...

783
00:47:53,609 --> 00:47:55,089
don't.

784
00:47:56,264 --> 00:47:59,224
I don't know the particulars
of your acquaintance with him.

785
00:47:59,398 --> 00:48:00,834
You can tell me
when you're ready.

786
00:48:01,008 --> 00:48:04,011
But a few of the coven
can be volatile

787
00:48:04,185 --> 00:48:07,841
and quite unforgiving
when lied to.

788
00:48:09,321 --> 00:48:11,889
Shut your mind if you
hear his name again.

789
00:48:13,412 --> 00:48:15,153
Also, mon ami,

790
00:48:15,327 --> 00:48:19,766
may I suggest you never visit
Roget, Abert and Associates again.

791
00:48:21,202 --> 00:48:24,379
That sort of enquiry can
open all sorts of trouble.

792
00:48:25,250 --> 00:48:27,078
As you suggest, Maitre.

793
00:48:28,296 --> 00:48:29,689
Armand.

794
00:48:30,733 --> 00:48:32,605
"Maitre" is a coven endearment.

795
00:48:32,779 --> 00:48:34,128
Come on, people, come on!

796
00:48:34,302 --> 00:48:35,477
Armand for you.

797
00:48:36,565 --> 00:48:38,828
Caught a lively one
for tomorrow's show.

798
00:48:39,003 --> 00:48:41,657
- Pip's a savage!
- Oh, Louis! I see it now!

799
00:48:41,831 --> 00:48:43,572
It's different here! I love it!

800
00:48:43,746 --> 00:48:45,531
I never want to hunt alone
again! I never want to leave!

801
00:48:45,705 --> 00:48:49,187
Je vous aime tous!
J'adore être une vampire!

802
00:48:49,361 --> 00:48:50,710
In English!

803
00:48:50,884 --> 00:48:52,494
I love everybody and everything

804
00:48:52,668 --> 00:48:54,932
in this every moment,
right every now!

805
00:49:13,602 --> 00:49:16,431
[♪ "Ménilmon
Man: It was 1556.

806
00:49:16,605 --> 00:49:18,216
I felt his presence
before I saw him.

807
00:49:20,914 --> 00:49:22,437
And here he was.

808
00:49:22,611 --> 00:49:24,918
Man
a good time now,

809
00:49:25,092 --> 00:49:27,442
but there's danger
if they find out we lied.

810
00:49:27,616 --> 00:49:29,575
How do you get them
to accept death?

811
00:49:29,749 --> 00:49:32,360
The great conversion.
It's real.

812
00:49:32,534 --> 00:49:35,668
Aah!
To hell with you!

813
00:49:35,842 --> 00:49:37,670
How long are we going
to play games, Louis?

814
00:49:49,290 --> 00:49:51,379
"Do you know what
it means to be loved by death?"

815
00:49:51,553 --> 00:49:53,294
is something that...

816
00:49:53,468 --> 00:49:54,992
No pain.

817
00:49:55,166 --> 00:50:00,171
Santiago says to his victims
on stage

818
00:50:00,345 --> 00:50:02,782
as he basically lulls them
into their death.

819
00:50:09,354 --> 00:50:10,790
So all of a sudden, we're
in Paris

820
00:50:10,964 --> 00:50:13,923
and we're in exciting
post-war Paris.

821
00:50:14,098 --> 00:50:16,317
There's a certain
intellectual fervor

822
00:50:16,491 --> 00:50:19,799
that is taking
over this particular city.

823
00:50:19,973 --> 00:50:24,195
Paris is everything
that Claudia's been waiting for.

824
00:50:24,369 --> 00:50:26,806
I love getting old
baguettes,

825
00:50:26,980 --> 00:50:28,329
and, like, Louis,

826
00:50:28,503 --> 00:50:30,375
wearing this little scarf

827
00:50:30,549 --> 00:50:33,813
is what Louis imagines
French people wear.

828
00:50:33,987 --> 00:50:35,902
I'm the
reticent vampire of the night

829
00:50:36,076 --> 00:50:37,817
there on the east.

830
00:50:37,991 --> 00:50:39,471
I don't think
Louis is really playing

831
00:50:39,645 --> 00:50:41,081
at stereotypes
of an American tourist.

832
00:50:41,255 --> 00:50:43,083
I think he is that.
He's living it.

833
00:50:43,257 --> 00:50:45,738
He is the stereotype
of an American tourist.

834
00:50:45,912 --> 00:50:47,696
What do you want?

835
00:50:47,870 --> 00:50:51,048
How are you
going to get there?

836
00:50:51,222 --> 00:50:53,137
There's some giddiness there,

837
00:50:53,311 --> 00:50:55,008
and there's some humor
that they haven't had.

838
00:50:55,182 --> 00:50:57,445
Certainly not
since they killed Lestat.

839
00:50:57,619 --> 00:51:00,753
Our finest seats.

840
00:51:00,927 --> 00:51:03,364
O'Byrne: And then
they get to meet these vampires.

841
00:51:03,538 --> 00:51:05,018
And this is really the thing

842
00:51:05,192 --> 00:51:07,238
that Claudia has
been desperately seeking.

843
00:51:07,412 --> 00:51:10,197
And in Armand, we have someone

844
00:51:10,371 --> 00:51:12,025
that is really intriguing
to Louis.

845
00:51:12,199 --> 00:51:16,290
So both of them
are over the moon.

846
00:51:16,464 --> 00:51:18,597
You learn
when they go to the theater

847
00:51:18,771 --> 00:51:20,033
and they meet the coven,

848
00:51:20,207 --> 00:51:22,122
Claudia
is someone that needs community.

849
00:51:22,296 --> 00:51:25,430
Louis is someone that needs
to know that community is there,

850
00:51:25,604 --> 00:51:26,735
but to be away from it

851
00:51:26,909 --> 00:51:27,823
a lot.

852
00:51:33,873 --> 00:51:39,096
Welcome to "The
Displacement of Reason".

853
00:51:39,270 --> 00:51:43,578
What sold Prague to us
as a shooting location for Paris

854
00:51:43,752 --> 00:51:45,841
was not the physical Prague,

855
00:51:46,015 --> 00:51:47,887
which is one of the most
beautiful cities in the world

856
00:51:48,061 --> 00:51:50,716
and can recreate Paris in many,
many ways.

857
00:51:50,890 --> 00:51:53,719
It was this huge factory

858
00:51:53,893 --> 00:51:57,810
we walked into looking for
the vampire theater.

859
00:51:57,984 --> 00:51:59,638
The Americans are
here.

860
00:51:59,812 --> 00:52:02,815
And almost immediately,
I just saw

861
00:52:02,989 --> 00:52:05,034
the sparkle on
Marla LePere-Schloop's eyes,

862
00:52:05,209 --> 00:52:08,255
and our production designers,
and we said, "Okay, we're home."

863
00:52:08,429 --> 00:52:10,475
This is where we need to be.

864
00:52:10,649 --> 00:52:12,433
It's just spectacular.

865
00:52:12,607 --> 00:52:14,957
That was a key factor
that brought us to Prague,

866
00:52:15,132 --> 00:52:17,351
was landing this location
and understanding

867
00:52:17,525 --> 00:52:20,354
how vital that was going to be
to season two.

868
00:52:20,528 --> 00:52:23,531
The prospect
of getting to work on a TV show

869
00:52:23,705 --> 00:52:25,272
where there's a theater company

870
00:52:25,446 --> 00:52:28,057
was just too exciting
to pass up,

871
00:52:28,232 --> 00:52:31,844
and we wanted to have an
exciting leading man, Santiago.

872
00:52:32,018 --> 00:52:33,672
So we got the great Ben Daniels.

873
00:52:33,846 --> 00:52:37,545
We here at Teatres de Vampires

874
00:52:37,719 --> 00:52:40,592
delve into the
underbelly of the human soul.

875
00:52:40,766 --> 00:52:41,984
Anderson: Santiago
and the whole coven --

876
00:52:42,159 --> 00:52:44,248
it's like a breath of fresh air.

877
00:52:44,422 --> 00:52:47,555
It's like this new mischievous
energy that comes into the show.

878
00:52:47,729 --> 00:52:50,210
Hayles: This is what she's been
waiting for.

879
00:52:50,384 --> 00:52:52,995
And she envisions a family
with these coven members,

880
00:52:53,170 --> 00:52:54,823
just living her best life,
eating people.

881
00:52:56,869 --> 00:53:00,481
Johnson: Santiago is
certainly the most theatrical

882
00:53:00,655 --> 00:53:02,831
of everybody
in the vampire theater.

883
00:53:03,005 --> 00:53:06,008
Everything you're
about to see...

884
00:53:06,183 --> 00:53:07,271
Johnson:
He thinks he's Laurence Olivier.

885
00:53:07,445 --> 00:53:08,707
...is real...

886
00:53:08,881 --> 00:53:09,969
Johnson: But he is
mesmerizing,

887
00:53:10,143 --> 00:53:11,710
and he is captivating.

888
00:53:11,884 --> 00:53:13,668
...and appalling!

889
00:53:13,842 --> 00:53:15,409
Johnson: And the audience
loves him.

890
00:53:15,583 --> 00:53:18,282
I love you for it.

891
00:53:18,456 --> 00:53:20,284
And Claudia immediately falls
in love

892
00:53:20,458 --> 00:53:22,199
with what he represents
and wants to be a part of it.

893
00:53:24,549 --> 00:53:26,246
Santiago: No, no, no,
no, no, no.

894
00:53:26,420 --> 00:53:27,682
Let her speak, sir.

895
00:53:32,209 --> 00:53:35,299
I'd like to point out,
also, just a little aside,

896
00:53:35,473 --> 00:53:38,780
that the woman who plays Annika,
the first victim we see,

897
00:53:38,954 --> 00:53:42,306
is actually our director's
assistant.

898
00:53:42,480 --> 00:53:44,917
We found out that she is
an actress, a very good actress,

899
00:53:45,091 --> 00:53:46,527
and primarily an actress.

900
00:53:49,748 --> 00:53:51,315
Sinead, who played the woman,

901
00:53:51,489 --> 00:53:54,448
she was very,
very good at being terrified.

902
00:53:54,622 --> 00:53:57,234
It was very upsetting to see
because it was like all of her

903
00:53:57,408 --> 00:53:59,105
in her entirety.

904
00:53:59,279 --> 00:54:01,716
But for Claudia,
I think Claudia fully was like,

905
00:54:01,890 --> 00:54:03,544
"Where are the stairs
to the stage?

906
00:54:03,718 --> 00:54:04,980
Like, get me on there right
now."

907
00:54:05,154 --> 00:54:06,808
Up.

908
00:54:06,982 --> 00:54:08,854
Johnson: It was
just so funny to be working

909
00:54:09,028 --> 00:54:11,900
alongside the set
next to somebody

910
00:54:12,074 --> 00:54:15,730
who all of a sudden is on stage
being devoured by Santiago

911
00:54:15,904 --> 00:54:17,602
and later the rest
of the company.

912
00:54:17,776 --> 00:54:20,039
And it's brutal and
beautiful

913
00:54:20,213 --> 00:54:23,390
and just so theatrical
and so brilliant.

914
00:54:30,658 --> 00:54:31,964
Bravo!

915
00:54:34,488 --> 00:54:37,012
Anderson: There's, like,
14 vampires now on the show.

916
00:54:37,186 --> 00:54:40,886
And I was like, "Wow,
this is intense.

917
00:54:41,060 --> 00:54:43,062
This is like a new thing."

918
00:54:43,236 --> 00:54:44,716
And they all
had relationships already,

919
00:54:44,890 --> 00:54:46,370
and they've been rehearsing

920
00:54:46,544 --> 00:54:48,241
and they've been,
like, shooting these plays.

921
00:54:48,415 --> 00:54:51,418
It was really helpful
for me personally to walk

922
00:54:51,592 --> 00:54:53,681
into this whole world
of vampires.

923
00:54:53,855 --> 00:54:56,031
It was, like, unfamiliar
and different as well

924
00:54:56,205 --> 00:54:58,120
to what we established
in season one,

925
00:54:58,295 --> 00:55:00,732
but also just, like,
a very funny,

926
00:55:00,906 --> 00:55:03,778
very lovely group of people.

927
00:55:03,952 --> 00:55:06,694
I ask you now --
was it worth the wait?

928
00:55:15,616 --> 00:55:19,577
Malloy
is finally getting his footing

929
00:55:19,751 --> 00:55:23,668
when it comes to
how to deal with the fact

930
00:55:23,842 --> 00:55:26,235
that there are now
two vampires instead of one.

931
00:55:26,410 --> 00:55:28,107
Are you two going to finish

932
00:55:28,281 --> 00:55:29,761
each other's sentences
for the whole session?

933
00:55:29,935 --> 00:55:32,677
We've been together
77 years, Daniel.

934
00:55:32,851 --> 00:55:35,897
What was fun was
realizing

935
00:55:36,071 --> 00:55:38,813
that we'd spent
all of season one

936
00:55:38,987 --> 00:55:41,903
with Rashid lingering in the
background.

937
00:55:42,077 --> 00:55:43,688
You're lingering, Rashid.

938
00:55:43,862 --> 00:55:45,864
It was fun
for me to see, like,

939
00:55:46,038 --> 00:55:49,171
little things that Assad was
doing in season one as Rashid,

940
00:55:49,346 --> 00:55:51,043
where you can see him under it

941
00:55:51,217 --> 00:55:53,306
What do you think will happen
to Mr. du Lac

942
00:55:53,480 --> 00:55:55,047
when you publish this book?

943
00:55:55,221 --> 00:55:57,919
I love
working with Assad.

944
00:55:58,093 --> 00:56:01,096
He's so intense and
it's wonderful to play against.

945
00:56:01,270 --> 00:56:02,881
It's really fun.

946
00:56:03,055 --> 00:56:04,970
She wanted to say yes,

947
00:56:05,144 --> 00:56:06,580
but she didn't trust you.

948
00:56:06,754 --> 00:56:08,713
You hadn't given her
a reason to.

949
00:56:08,887 --> 00:56:10,367
Zaman: It's not Malloy's fault
that he's here.

950
00:56:10,541 --> 00:56:12,630
He was brought here by Louis.

951
00:56:12,804 --> 00:56:15,633
But now that he is here
and he's prying,

952
00:56:15,807 --> 00:56:17,809
Armand has to preserve
their relationship

953
00:56:17,983 --> 00:56:19,811
and their history together.

954
00:56:19,985 --> 00:56:22,857
If you're willing to ask
your questions and then listen.

955
00:56:23,031 --> 00:56:25,773
It becomes a battle of wits.

956
00:56:25,947 --> 00:56:27,122
What happened next?

957
00:56:33,520 --> 00:56:36,393
O'Byrne:
And we have this phenomenal scene in front of this --

958
00:56:36,567 --> 00:56:37,959
we always called it
the Murder Mansion.

959
00:56:38,133 --> 00:56:41,136
It's described exactly
how we see it.

960
00:56:41,310 --> 00:56:44,270
They arrive,
and then Louis and Armand

961
00:56:44,444 --> 00:56:45,750
have this wonderful flirtation.

962
00:56:45,924 --> 00:56:48,840
Enjoy yourselves.Mmm.

963
00:56:49,014 --> 00:56:51,886
That might have been
one of the best days of my life.

964
00:56:52,060 --> 00:56:54,715
It was --
It was -- Honestly,

965
00:56:54,889 --> 00:56:56,151
it was just adults playing.

966
00:56:56,325 --> 00:56:57,370
You coming?

967
00:56:57,544 --> 00:57:00,504
A hit
before the play?

968
00:57:00,678 --> 00:57:02,375
Hayles: What
I really liked about Levan's

969
00:57:02,549 --> 00:57:04,682
direction in this is
that when we got in the mansion,

970
00:57:04,856 --> 00:57:07,772
it was like, "You're vampires.
Go have fun.

971
00:57:07,946 --> 00:57:09,817
Be vampires."

972
00:57:09,991 --> 00:57:12,472
Zaman: The chaos
in the background

973
00:57:12,646 --> 00:57:16,476
and vintage noir romance
happening in the foreground.

974
00:57:16,650 --> 00:57:18,652
She's something,
your Claudia.

975
00:57:18,826 --> 00:57:20,132
Spark in the dark.

976
00:57:20,306 --> 00:57:22,047
The thing that I remember

977
00:57:22,221 --> 00:57:24,136
most about
filming the Murder Mansion scene

978
00:57:24,310 --> 00:57:26,791
was that it's like --

979
00:57:26,965 --> 00:57:29,663
"Ah! Ah!"

980
00:57:29,837 --> 00:57:31,448
Just, like, all this madness
happening behind him.

981
00:57:31,622 --> 00:57:33,319
You must work harder
on that.

982
00:57:33,493 --> 00:57:36,278
And every single time
something smashed or popped,

983
00:57:36,453 --> 00:57:38,890
I was like --
just jumping.

984
00:57:39,064 --> 00:57:40,805
You're not going in?

985
00:57:40,979 --> 00:57:42,589
I am now
where I most want to be.

986
00:57:42,763 --> 00:57:44,069
But somehow,

987
00:57:44,243 --> 00:57:45,462
Assad just managed
to, like --

988
00:57:45,636 --> 00:57:48,813
just very focused
and didn't flinch.


